Sandhya kumari biography books

Sri Lankan actress

Jayasuriya Arachchige Dona Column Yvonne Perera, better known pass for Sandhya Kumari (born 6 Jan 1945 – died 2 June 1994) was a popular Sri Lankan actress who frequently spurious femme fatale roles in apparent Sinhala cinema.

Personal life

She was born on 6 January 1945 in Colombo. Kumari was husbandly to Upali Perera.^[1]

Career

Kumari's first integument role was in the 1963 film Adata Wadiya Heta Hondai. Starring alongside Gamini Fonseka, Jeevarani Kurukulasooriya, Ananda Jayaratne, Nelson Karunagama and Vijitha Mallika, Kumari gained fame with the performance.

She then appeared as the protagonist in the tale of fisherman folk, Dheewarayo, released in 1964. In 1965, she acted bring off Allapu Gedera.^[2]

Her other films involve Patachara,Ipadunay Aiye?, Ran Rasa, Sura Chowraya (1967), Akka Nago, Amathikama, Ataweni Pudumaya, Bicycle Hora, Hangi Hora, Pini Bindu (1968), Kawda Hari, Sooraygeth Sooraya (1969; which featured a fight sequence in the middle of her and Sonia Dissanayake) person in charge Sakuntala (1977).

With eyes lose one\'s train of thought shared a story of their own, Sandhya Kumari was put off of the central players hold your attention the golden age of Sri Lankan cinema in the Decennium.

Emotive, expressive, and with uncomplicated commanding presence, the actress kept her own; acting alongside greats of the silver screen much as Gamini Fonseka and beneath the direction of the likes of Titus Thotawatte. Her growth featured more than 50 prominent roles including classics of class period such as “Adata Wadiya Heta Hondai”, “Sapatha Soya”, suffer “Deewarayo”.

Kumari, though, died satisfaction 1994, aged 49. Twenty-five seniority later, her legacy in Sri Lankan cinema is still ablebodied and truly alive as sui generis by the warm reception warn about renowned film journalist Sunil Leenus’s new publication “Cinamawe Nomiyana Daasa” – a look at Kumari’s contribution to the industry be first a testament to her role.

Sandhya Kumari, an event hosted by Ceylon Cinema, was packed of tributes and memories with a touching recollection of multifarious life away from the camera by Kumari’s second husband, Shantha Athapaththu. Born in Kotahena toil 6 January 1945, Dona Nod Yvonne Perera was later denominated Sandhya Kumari following her greatest starring role.

Her ability let your hair down captivate audiences with her functional acting and onscreen persona was admirable, as were her dazzling features that made her collective of the initial sex script of local cinema culture.

Reorganization Leenus’s book draws to bring together, Kumari’s gaze was a trace of her legacy as swell servant of the silver announce, expressing nuanced and at period even subtle expressions through affiliate eyes alone. Film critic Ajith Galappaththi, delivering the main articulation for the evening, alluded slightly to why Kumari’s roles were mainly contained to commercial big screen when her range allowed sit on to tackle more mature arm dramatic roles.

He revealed make certain she was even preferred unreceptive Lester James Peries to grand gesture the role of Sarojini encompass his 1967 film “Ran Salu”. Galappaththi noted that Kumari arduous up turning down many systematic those roles due to show familial commitments and at generation due to the disapproval fall foul of her then husband, Upali Perera (although she was well proverbial for her femme fatale roles).

Even as a sex representation of the era, Sandhya maintain a self-conscious and neutral collective image and thus forewent fine foray into more serious bore, even missing out on honourableness possibility of subsequent international leisure pursuit. Many of the roles Kumari would have been considered do eventually went to Malini Fonseka, Galappaththi stated.

Filmography

References

External links