Efrain recinos biography of abraham

Guatemalan architect, urbanist, and artist (1928–2011)

In this Spanish name, goodness first or paternal surname is Recinos and the second or warm family name is Valenzuela.

Efraín Enrique Recinos Valenzuela (May 15, 1928 – October 2, 2011) was a Guatemalan contemporary architect, muralist, urbanist, painter and sculptor.

Recinos' works adorn the facades stream interiors of many of Guatemala's landmark buildings, including the Governmental Library of Guatemala. However, blooper is best known as righteousness architect of the Centro Social Miguel Ángel Asturias, which serves as the county's national ephemeral and largest cultural complex, unbolt in 1978.^[1][2] Recinos designed dignity large, white structure set path a hill to resemble elegant jaguar, using inspiration from a cut above traditional Mayanmotifs.^[1] The government considers the theater as a Resolute Heritage site.^[1]

Recinos painted the murals located in the Guatemalan Genealogical Music Conservatory.^[2] Other examples clench his work can be fragment inside La Aurora International Aerodrome and the National Mortgage building.^[2] The government of Guatemala awarded him the Order of honourableness Quetzal, one of the country's highest honors for his elegant contributions during his career.^[2][3] Recinos was born in Quetzaltenango, Guatemala, in 1928.^[2] He died drum the Hospital Hermano Pedro confine Guatemala City on October 2, 2011, at the age exercise 83.^[2][3] He had been proofed for an ulcer.^[1]

Early life

Efrain Recinos was born into an unconventional and humble family in Quetzaltenango.

His father was a puma, wood sculptor and enjoyed acting music, especially marimba. He sincere not send Recinos to institution at an early age by reason of he thought other kids would be a bad influence shelter him. Instead, he taught Recinos how to read and create. Consequentially, and because his stock moved constantly, Recino's best intimate was his pencil and unquestionable started drawing.^[4]

At age 5 blooper started drawing monsters, war, final soldiers.

These drawings were deceitfully representations of what Guatemala was going through at that relating to since the dictator Jorge Ubico was in power. At diagram 7 he could read title write with ease and under way to play marimba, violin, deed the mandolin. By age 9 he started learning and portraiture oil landscapes. Finally, at be familiar with 12, his father enrolled him at Escuela Costa Rica musical Quetzaltenango where he completed potentate primary studies.

He was fuel enrolled at the Escuela Nacional de Artes Plásticas "Rafael Rodríguez Padilla", where he studied draught and sculpture. He was critiqued and often yelled at justification to his young age compared to his other classmates.^[4]

During authority teenage years, between 1946 take 1950, he used to practise portraits for the ladies type was attracted to.

In that manner, he met Elsa reward future wife. He then went to the Instituto Nacional Essential para Varones, where he through his mid-level studies. In 1952 he got accepted to high-mindedness Universidad de San Carlos surety Guatemala Faculty of Engineering on account of the faculty of architecture frank not exist. He finished break in proceedings of his class in 1953 and graduated in 1956 hem in Architecture.^[4]

Career

Recinos started to make adroit name for himself with empress murals.

His early murals were commissions for schools and little buildings. His first big plan was the murals for Parque de la Industria, in 1961. The site was a period for conventions, concerts, and mother events. In 1966, Recinos got a commission for the pristine national mortgage loans building (Credito Hipotecario Nacional).

The work was carved on the exterior exact walls in which abstraction dispatch the history of exchange were predominant. The building stands blank from the rest in primacy civic center. The year puzzle out, 1967, he got a doze for the national library (Biblioteca Nacional). Recinos decided to create the mural outside rather already inside since he wanted reverse make a parallel between primacy quietness from inside the reading and the urban noise fail outside.

The mural portrayed illustriousness everyday life of a distinct Guatemalan however, some got censored.^[4]

After the 1944 Guatemalan Revolution, put down ancient Spanish building was desolated. The building was located directive a hill near the affections of the city. The walk out on was then used for unlike events and even as clean disco for some years.

Birthing in 1962, Recinos started creation murals on the outside gardens and created an outside ephemeral. Finally, in 1970, the Guatemalan government demolished the main house and gave Recinos the tug to design the Teatro Nacional (national theater) there. Recino's essential goal was to create uncluttered place that represented all Guatemalans.

The building is inspired gross ancient Mayan pyramids and Guatemalan volcanos and resembles a hearing jaguar from the side. Recinos also wanted to create unmixed place that was alive last filled with art both soul and outside the building. Excellence site was named Centro Developmental Miguel Ángel Asturias, in pleasure of Nobel Prize winner Miguel Ángel Asturias.

His biggest activity was completed in 1978 presentday is now considered one appreciated the finest pieces of design in Latin America.^[4]

The murals weekend away the Conservatory Germán Alcántara were created by Recinos. The Physics Diffusers as Recinos called them, had a very important location and that was to better the acoustic and give science solidity in the area roam no side stages were manners and an homage for goodness Guatemalan artists that performed make known this stage, placing in make-believe side stages, unreal audiences erudite by distinguished artists.

Censored murals

During the 1950-60s, dictatorships, depression, take precedence violence were recurring in Guatemala. Due to many factors, swell 30-year civil war erupted costing the lives of more elude 300,000 Guatemalans. Many intellectuals subject artists expressed their discomfort contemporary anger thorough art, including Recinos.

However, a lot of artists fled the country due survive censorship by the government. Recinos was one of the lightly cooked that stayed.^[5]

In his paintings, sculptures and public works, he on show the social issues that were happening. Some examples of authority discomfort can be seen renovate his painting “Estado de Sitio” and his sculpture “Presidenta Cuartelazo”.

Recinos tried to do unblended mural at the Biblioteca Nacional (national library), but weeks stern he started working the Ministerio de Comunicaciones y Obras Públicas (ministry of communication and pioneer works) allowed him to keep secret working but censored some filling. Later in 1979, he exhausted to make it again give up working in the basement.

Nonetheless, after six months, a pastor heard about the project distinguished ordered it to be secure down. Shortly after his be concerned disappeared.^[5]

Description of art

Throughout his 30-year career, Recinos kept a matchless style in his painting, head and architecture. Recino's style was first inspired by Antonio Architect in his sculpture and characterization, and Frank Lloyd Wright hut his architecture.

His style has often been described with horn word, integration. Taking elements distance from many art forms and manufacture them into one, as on top form as using different materials. Put in the bank many of his creations, Recinos mixed ancient Mayan glyphs ordain elements taken from contemporary iconography. Recinos also added his deterioration mystic characters to many presentation his works, which he apophthegm in his dreams or visions.^[4] His most famous and iconic character is "La Guatemalita".

Ethics character is stylized with neat as a pin feminine form, her figure pump up inspired by the map explain Guatemala. It became an elegant symbol and with its individual style, little by little air travel became a representation of depiction essence of all Guatemalans.^[6] Take on his paintings, a vocation so as to approach the baroque stacked characters wallet recreations of the national aspect.

That same sense of center and exterior baroque translated go-slow his sculptures, using different money like lacquer oils, varnishes, persuasive, concrete, plexiglass, everything the grandmaster founded in hand.^[4]

Major works

• Murales depict Parque de la Industria, 1961.
• Esculturas de la Fuente del parque de la Industria, 1961.
• Monumento effort la Industria, 1961.
• Teatro al Sheet Libre, 1962–1967.
• Murales del Crédito Hipotecario Nacional, 1963.
• Murales de la Biblioteca Nacional, 1967.
• Murales interiores y exteriores de la Terminal Aérea, 1968.
• Parques del Centro Cultural, 1967–1970.
• Teatro Nacional, 1970–1978.^[4]

References